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Modern
Period
This painting is broken down into geometric
shapes like squares, triangles, and circles. The artist sees his
subject moving rather than sitting still. This style of painting is
called Cubism. Other styles of modern painting include
Surrealism, Pop Art, and Impressionism. Music of the 20th century broke free of the styles and traditions of the previous periods. Composers explored different ways to produce sound. Rhythmic patterns became much more free, often changing frequently in a piece. Melody was becoming more dissonant--harsher--moving by leaps rather than steps. Harmony was also becoming more dissonant. Polytonality--the playing together of two keys at once--was occurring more frequently. Battle lines were drawn between tonal and atonal music. Major/minor tonality was giving way to atonal--or twelve tone-- music. Composers during the early 20th century also called this serial music. They would play 12 different tones in a certain order, then repeat this 12-tone pattern by turning the notes upside-down or playing it backwards. This was music without a tonal center. Composers of serial music include Berg, Schoenberg, and Webern. The Rite of Spring (1913) by Igor Stravinsky launched the beginning of modern music. It caused a riot at its first performance because the dancing and music were nothing like the audience was used to seeing or hearing. Today it is considered one of the greatest musical works of the 20th century. No single style of music dominated the 20th century. African Americans made significant contributions to American and world music and were finally being recognized for their important contributions. Jazz was born in America and was having a huge impact all over the world. Nationalism was still an important influence in the first half of the century. Nationalistic music told the listener where the music was from. Probably the most important development in 20th century music was popular music. This included rock 'n roll, folk, country and western, and rhythm and blues. Aleatoric music--also called chance music--is unpredictable. Composers like John Cage put bolts and nuts onto piano strings to make the sound unusual.
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